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For over four decades, Sebastião Salgado has undertaken projects of vast scope and complexity, traveling to over one hundred countries to document the plight and dignity of ordinary individuals and the fragility of the natural environment. Salgado makes photographs grounded in the reality of contemporary political and social issues, yet characterized by a mystery that transcends the temporal and approaches the condition of epic poetry.
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Iceberg, Paulet and Shetland Islands, Antarctica, 2005.
Gelatin silver print, 24 x 35 inches. $20,000. -
Genesis
Begun in 2004, Genesis is the result of an eight-year worldwide survey, drawing together images of land and marine wildlife, arctic, desert, and tropical landscapes, and indigenous communities still living in accordance with ancestral traditions and cultures. A celebration of the world’s primordial beauty, Genesis is also a clarion call about the delicate state of the planet, and the immediate crisis of environmental degradation and climate change. Depicted in both strength and fragility, at peace and in chaos, the images ask that we not only see the world that is around us, but protect it.
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Travelling exhibitions of Salgado’s work have been presented in institutions throughout the world, and his work is held in many museum collections including the Centre Pompidou, Art Institute of Chicago, Museum of Modern Art, NY, J. Paul Getty Museum, Tate, and the National Museum of Modern Art, Tokyo, among others. Salt of the Earth, a feature-length documentary about the artist directed by Wim Wenders and Juliano Ribeiro Salgado, won the Special Jury Prize at Cannes in 2014. In 1998, Salgado and his wife Lélia Wanick Salgado founded the Instituto Terra, dedicated to the reforestation of land in Salgado’s home state of Minas Gerais, Brazil, ultimately planting more than 2.5 million seedlings from 297 native species.
Sebastião Salgado
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